Do You Write Like Stephen King?

I recently discovered a cool site called I Write Like, which analyzes your writing and determines who your write like. Facebook has a similar application called, What Kind of Writer are You?

Paste a few paragraphs of your writing from your blog, a novel, or website into I Write Like, click "analyze" and instantly it says you write like Stephen King or Ernest Hemingway or Cory Doctorow.

I usually don't put much faith in the accuracy of such gimmicky sites, but I put in two different passages from my novel, Dark End of the Spectrum, and both times it said I write like Cory Doctorow. Strangely, I never read anything by Cory Doctorow.

The Associated Press reported that the site was created by Dmitry Chestnykh, a 27-year-old Russian, who modeled the site after software for e-mail spam filters and uploaded works by about 50 authors. He never expected the sudden success and plans to improve the site's accuracy by including more books.

In any event, I wouldn't contact a literary agent or publisher and tell them you write like the author from I Write Like.

I write like
Cory Doctorow

I Write Like by Mémoires, Mac journal software. Analyze your writing!

Photo by Mark Lenihan, The Associated Press

Self or Commercial Publication - Is There a Difference Anymore?

Editor's Note: We have a guest blog by best selling author Jeremy Robinson, who I refer to as the author's author. I followed Jeremy's career when he started as a self-published author, watched him create ingeniously unique marketing events for his books and finally land a lucrative three-book contract with a traditional publisher, Thomas Dunne Books, an imprint of St. Martin’s Press. He is an inspiration to all aspiring and just-published authors.- Anthony


By Jeremy Robinson

So what is the difference between being a self-published author and an author with a commercial publisher. Being a self-publisher for three years, this was a question I often wondered about. NY publishers and authors are very quiet about the inner workings of publishing and in some ways it felt like this secret society that you had to become a part of to learn the truth. In a way, that's true, because I didn't really know until I was in the club, so to speak.

I should mention that this is MY experience. I am a professional interior and cover designer and have hired editors for my books. Because I tried to treat the process of self-publishing as much like a publisher as I could (going so far as to start a small press), you will not find those typical self-publishing/big gun publishing differences in my perspective.

But I'm happy to talk about it and let YOU in on the secret. First, I'll start with the differences, because there aren't that many and, honestly, they're not nearly as important as the similarities.

1. You get paid an advance. Most of the time. Which is nice. It says, "Hey, we think your book is going to sell X amount of copies and we're so sure of it, we're going to pay you in advance for those copies". Wow! What a shot in the arm. But its not as grand as it sounds. Odds are, as a first time author your advance will be far less than you need to live on for a year, so don't quit your day job. And then there is the pressure to actually sell what was expected of you...which can be a lot harder than you think.

2. This is the big one, distribution. Your books, if the publisher is doing their job, will not only be available to brick and mortar stores, it will also be on the shelf without you having to lift a finger. Deep breath, smile, and sigh. Ahhhh.

3. Royalties. As a self-publisher I was accustomed to making $4.00 per book sold. That's now at $2.50 for hard covers and something like $.65 for mass markets. So to make the same amount of money, I need to sell roughly double the amount of books, which is, again, harder than you think.

And that's about it. There are other obvious differences, like working with an editor that's been in the business for a while, and a team of artists at a publishing house, but that experience is totally different from person to person, and for me, hasn't been too different than what I'm used to in my own self-imposed system of publishing.

As for what has not changed (despite how much I wish it would) is this: marketing. When I got the catalog from the publisher with PULSE in it, I looked at the list of marketing that was going to be done for the book...and you know what I saw? Everything I have always done for my books. Meaning, I would still be doing them...and that was it. There would be no marketing beyond what I could manage on my own.

If you're an author, you might be aghast right now. But you shouldn't be. This is life for most newbie authors. Many choose to do nothing and let the book sell from the shelf on its own, but I wouldn't suggest this.

You must act like you're still trying to prove yourself as an author, because you are! Getting a big publisher is just the first step in having a career as an author. What happens after that, once again, largely depends on the author's action or inaction. So, what hasn't changed is that I am still spending insane amounts of hours marketing. I created my video trailer. I hired a narrator to podcast my previous novel, Kronos, an inserted ads for PULSE. I'm active on my blog, website, Twitter, Facebook, Myspace, Youtube and Goodreads. I had multiple contests. Wrote and released press releases. Booked radio shows. Scheduled signings. And a slew of other things I have mentally blocked.

In fact, I would suggest you not think about what is different between self-publishing and commercial publishing. If you get a publishing deal, great, but don't think you've "made it." You're still a long way from that. I'm still a long way from that. So stay focused on what remains the same. Keep your desperation. Your drive. And maybe you'll get a second book deal when the first is done.

For more on me and the novels, please visit www.jeremyrobinsononline.com - Sign up for the newsletter while you're there!

PULSE is now available.

Buy from Barnes&Noble

Buy from Amazon

"Jeremy Robinson's latest novel, PULSE, ratchets his writing to the next level.  Rocket-boosted action, brilliant speculation, and the recreation of a horror out of the mythologic past, all seamlessly blend into a rollercoaster ride of suspense and adventure.  Who knew chess could be this much fun!"
-- James Rollins, New York Times bestselling author of THE LAST ORACLE

Fear Drives My Writing

 By Anthony S. Policastro

This post is part of my September blog tour.

Both of my novels, DARK END OF THE SPECTRUM and ABSENCE OF FAITH, both mystery/thrillers, were written out of fear, universal fears that I believe all of us consider at one time or another.

DARK END OF THE SPECTRUM is about Dan Riker, a computer security expert whose family is kidnapped by digital terrorists who take over the power grid and cell phone network and hold the United States hostage. Dan is the only one with the know-how to stop them, but the hackers have his family and he must decide to save his family or save millions of people.

While I wrote this book the fear of losing my own family pervaded my thoughts and I wrapped a plot around this fear using the latest wireless technologies and a lot of imagination. I still have my family and the thought of losing them is unimaginable. This was the fuel for DARK END OF THE SPECTRUM.

Dan's life is well planned, predicted and uneventful like most of our lives and I wanted to see how Dan would react when all of that is shattered in an instant when his family disappears.

Does Dan have the courage to save his family or will he just give up because he never had to face such insurmountable odds? Will he save millions of people whose lives are threatened by the terrorists or will he save his family? The book is not just about technology.

These are some of the questions I addressed in the book and when or if you read the book you may ask yourself these same questions and maybe better understand your own capabilities.

ABSENCE OF FAITH also addresses universal fears when residents in a highly-religious small town have horrible near-death experiences and wake up with burnt skin.  They believe they went to hell and that God has abandoned them. Matters get worse when a local Satanic cult emerges and wins over many residents.

My fears of losing all hope and all faith in the face of a downturn in life is what spawned ABSENCE OF FAITH. Again, I was interested in how people would react if you stripped them of all hope and faith. Would they pick themselves up and continue their lives? What would they do when this great fear overtakes them.

These are the questions I address in ABSENCE OF FAITH.

Bestselling author and psychic Sylvia Browne writes in her book, Prophecy, that, "...our beliefs are the driving force behind our behavior, our opinions, our actions. Without faith, without our beliefs, we're lost."

I have always been interested in religion and why and how it has such a powerful hold on all of us and what would happen if it were taken away.
 

I not only wanted my books to entertain, but I also wanted them to inspire, educate and leave readers with something to think about after they put the book down for the last time. I wanted the books to be relevant to people's lives today and some of the problems we all face in the journey of life. I hope my books are that and more.

Both DARK END OF THE SPECTRUM and ABSENCE OF FAITH are available as paperbacks from Outer Banks Publishing Group, Amazon.com and as ebooks from Smashwords.com and the Amazon Kindle.
Both books will soon appear on Barnes and Noble's new ebook site.

Visit my other blog for tips on writing, publishing, and books, THE WRITER'S EDGE.

Interviews can be found at

The Lulu Blog
Ask Wendy - The Query Queen
Gather.com


 

Should There Always Be a Free Lunch?

Image by gwydionwilliams via Flickr

By Anthony S. Policastro

I recently received a comment from a reader named Pepe on my earlier post Would You Pay $26 for an ebook? about the price of ebooks. I was impressed at what he said because he is a reader in favor of the author.

Here is what Pepe wrote:

"I think that 10$ is too much for having a book with drm, indeed for a book with drm I wouldn't pay more than a dollar.

Otherwise, if a get a book at a small price, provided it's without drm, and provided at least more than 50% of the price goes to the author I would pay for it, gladly, even these 10$ if the book really pleased me and is a long one."

He believes at least fifty percent of the book price should go to the author. And he has good reason.

"But this is even expensive, lot of people paying this amount will consider they have the right to give it away freely, and this is not good for the author, so why not sell them really cheap, let say 2 or 3$ and convince people that they should pay for reading it because that way the author will be able to produce more of these books they really enjoyed?

I think this is really possible, there's money for the author, for the online editor and people will be happy knowing most of the money they pay goes to whom really deserves it."

Like many authors, Pepe believes that Internet users should change their mindset in the belief that digital products on the Internet should be free.

Whether you believe it or not, there is a cost to someone to create the book, upload it to an ebook site and promote it so that readers may buy it. The cost may not always be physical, but it is a cost in time - time the author could be using to write the next great American book or just spend thinking of something new to write.

We need more readers like Pepe.