Guest blogger and author Mary L. Tabor shares her book marketing techniques
By Mary L. Tabor
you wanna get published, right? So you think only a big house can get
you anywhere worth getting, right? So, you think you need an agent first
I thought all these things and have the credentials to
prove that I’ve been on a literary journey: English major, Phi Beta
Kappa, teacher, professor, MFA degree, literary journal editor, literary
prize winner. But no big house and no agent.
I did what some may think is crazy. I went with a product development
company that dabbled in publishing. But my book got out. And I went to
work. I have an active public Facebook page that is linked to my Twitter account, a website always under revision as new stuff happens and I write a blog where I try to post at least once a week.
post that you are reading would have been this essay. But this site
begged for it and it’s theirs. But later you may see this post on my blog. Go check out this: How to buy a dress and end up with a book party.
I don’t tweet about my memoir (Re)Making Love: a sex after sixty story
much, though some. I don’t blog about my book much, but some: actually,
I blogged the book while I lived it—that’s the first crazy-some-say
thing I did before the product development company found me—and that accounts
for the banner of a blog that deals not with erotica but with literary
thought, interviews and essays on writing and books.
think a book with this sordid, unconventional history wouldn’t be doing
very well, right? And, indeed, I’m not getting rich. But is that what we
artists are really about? Okay, a girl could hope but that’s never been
the goal: The work will out.
But get this: The small print in the
visual for the book from Amazon says, #7 top rated in the Kindle store for
Non-Fiction, Biographies & Memoirs, Arts &literature, Authors.
The week before it was #5 behind The Diary of Anne Frank and Steven King’s On Writing.
And guess what: The book party at Upstairs on 7th
(aka: “How to buy a dress and get a book party”) resulted in the
promise of another book party by one of the women who came.
Then I went
to dinner with a banker-friend I know and told him what happened. He
called his wife and is planning another book party in another dress shop
and he’ll be providing the wine.
Is there a moral? Ain’t no good
here at morals. But I will say this: If you put your heart and soul into
your book and you’ve edited it like crazy with a cool eye, had others
eyeball it and critique it, then find a reputable publisher and work—yes
that means you—to sell one book at a time. Because like the memoir I wrote, it’s all personal.
Another piece of good news: A new and much more experienced indie
publisher has taken my memoir. Be sure to check out the second edition
(more edits and a prologue) now from Outer Banks Publishing Group.
(Re)MAKING LOVE: a sex after sixty story, second edition, is available on Amazon, the Kindle, Barnes & Noble, the Nook, iBook, Sony ereader, the Outer Banks Publishing Group Bookstore and in other electronic formats from Smashwords.com.
Tuesday, September 6, 2011
Wednesday, June 22, 2011
|Doug Roberts with one of his cats|
Inspired by true events in the early 1970s, The Man Who Fooled SAVAK captures what it is like to live in a dictatorship with secret police monitoring your every move – an atmosphere of fear that still pervades today in many countries in the Middle East.
What makes Doug's book so appealing is that what he wrote today about events 40 years ago is still going on today in many parts of the Middle East. And all of these events are carefully woven into a love story that will make you fall in love all over again.
Here is an interview with Doug about how he came about to write The Man Who Fooled SAVAK after 40 years.
Q. The release of your book coincides rather well with Arab Spring. When did you start writing it?
A. In the summer of 2008. A woman I’d met on line named Erica Murray was interested in Iran so I started writing to her about it. I started doing some very preliminary research into the history and politics of Iran in 1971 in order to refresh my memory of things I had experienced when I was in Iran during that time. The book was completely finished several months before the uprising in Tunisia.
Q. Even though that was 40 years ago, there are many common elements with what is happening across the Arab world.
A. Yes, especially the fear people experience when living under an autocratic regime is something I hope I have captured, and as the book proceeds, the breaking out of that fear. Perhaps it will give people hope. Just like in my book, the methods used by various dictatorial regimes to maintain control seem to be taken from a common playbook: trample a free and independent press, keep the people fooled, use an iron fist to silence dissent, eliminate fair trials, use torture to extract confessions - the list goes on and on.
Q. But when you wrote the book, you weren’t thinking about that.
A. (laughs) True! I don’t have a crystal ball and the Arab Spring was as big a surprise to me as the rest of the world.
Q. Can I ask you about one of the characters in your book? Was there really a Junior?
A. Yes there was. I think Junior made the story possible to write. We really did sell our liquor and cigarette rations to him. I recently learned from a fellow who served in ARMISH/MAAG just before I arrived that Junior mostly dealt with the domestic workers, the Iranian nationals who worked at the bachelor quarters where we lived.
Q. I’d like to ask you about another character, Mihan Jazani. She is a historical figure, the wife of the Bijan Jazani who founded one of Iran’s guerilla movements. It appears that she’s a friend of yours on Facebook.
|The Man Who Fooled SAVAK|
Q. How were you able to remember so much about what happened then? It was 40 years ago after all.
A. I was assisted in several ways. I had some writings I had done about Iran when I was in journalism school at Kent State in 1972. I had a large number of slides that I’d taken when I was there. Those were crucial in reviving old memories. A huge help was finding a 1977 map of Tehran on the (now defunct) Tehran American School website. I was able to use the exact names of places, even street names. The fellow I’d mentioned earlier who told me about Junior had sent me a copy of the ARMISH/MAAG directory, which was very useful. Finally, talking to people I worked with at that time was extremely important, namely Heidi Eftekhar and Barry Silver, who are characters in the story. I obviously couldn’t remember all events specifically, but I found I could generate them as needed by being very specific in my language. I would take seeds of ideas and extrapolate and grow them into full blown events. For example, a certain lecherous officer really did say to Heidi, “I think you’re a woman who needs a lot of loving.” I took that and ran with it. Last, but also important, the Internet was a valuable tool in researching the historical incidents in the book.
Q. So, where does the novel part come in?
A. Some of the human rights related events are novelized, but they’re very accurate in their portrayal of the times. I’ll leave historians to figure all that out. They will have their work cut out for them because I’ve spent a lot of effort weaving the story line into the history of those days.
Q. How close is your character Doug Roberts to the way you actually are?
A. That’s a really good question. (laughs) I had originally intended that Doug the character would be an extreme version of myself. But after having read my book now over and over, I’ve come to see that what’s extreme are the circumstances he’s in. Doug the character is a lot like I was back then: ok in the smarts department, and a little too cocky sometimes. He’s not very romantic or knowledgeable about women, but does all right in spite of himself. (laughs) There’s an element of male fantasy in the book I suppose. In the story, I have two charming female lunch companions in addition to Fari my Iranian girlfriend/fiancée.
Q. But you really were friends with Heidi Eftekhar your co-worker in the story.
A. I still am. Heidi and I communicate regularly by email and her input on the book was immensely helpful. Miss Farou is the fantasy. She actually didn’t like me all that much. (laughs).
Q. I get the impression you had a lot of fun writing your book.
A. It was pretty trippy for me at times. I would totally submerse myself in it. For example, I had written the scene describing how I spent New Year’s Eve in Iran just a couple of weeks after New Year’s Eve in real life. When someone asked me about how I’d spent my New Years, it shocked me as to how much effort I had to put into pulling up what I’d actually done versus what I’d just written. That was a little scary.
Q. What do you think people will get out of your book?
A. I’m sure everyone will get a little something different, but what I’d like for people to take from it is that, like in the story, life may present you with some extreme circumstances. When that happens, keep a level head and your wits about you. Try to see beyond what appears to be happening on the surface. There will always be some good things happening at any given moment. Try to focus on that. To get through your ordeal it’s a good idea to engage all your friends to help you and your faith if you have that. Most important of all: never give up.
The Man Who Fooled SAVAK is available as an ebook on Amazon Kindle and in various ereader formats from Smashwords.com